"If all that Americans want is security, they can go to prison. They'll have enough to eat, a bed and a roof over their heads. But if an American wants to preserve his dignity and his equality as a human being, he must not bow his neck to any dictatorial government." -- President Dwight D. Eisenhower

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Saturday Night Live alum Rob Schneider took aim at the Disney Corporation in a post on X on Monday, noting that Americans are tired of Disney’s “woke lunacy.”

“Disney got financially spanked by American families who don’t want their children indoctrinated by idiotic Woke lunacy,” the Waterboy actor wrote.

“Now they will return once again to being the great entertainment company for ALL Americans,” he predicted. “Thank YOU, America!”

Disney, once a mass producer of greatest hits at the box office, is now experiencing another series of hits as it absorbs blow after blow from underperforming “woke” movies that, all told, are expected to cost the company nearly a billion dollars in lost revenue.

Parents slammed a tourist attraction in New York City called Disney’s The Santa Clauses’ Winter Wonderland as a “s*** show” after shelling out money to take their kids through the “frustrating” experience, according to the New York Post.

Is it time to declare the Disney brand dead?  Only a couple weeks ago the entertainment giant suffered one of its worst box office showings ever with the failure of The Marvels, a feminist driven girl-boss movie which was widely applauded by social justice advocates but ignored by the vast majority of the public.  The film is expected to lose $200 million to $300 million once receipts are totaled and marketing costs are accounted for.

In new SEC filings, Disney is now admitting it has been slapped by its own customers for its far left social and political agenda, legal expert Jonathan Turley wrote in his recent column for The Hill on Saturday.

"In a new corporate disclosure, Disney acknowledges that its controversial political and social agenda is costing the company and shareholders," Turley wrote.

For years Hollywood heavyweights have openly transformed the character focus of long-standing comic book heroes when the stories are adapted for the big screen. A variety of cultural changes have been ceremoniously edited into the lives of superheroes that never existed in the original stories.